The importance of level-matching the reference track here can’t be stressed enough. So, we need to set our frame of reference using a great sounding reference track.
If we hear an incredibly muffled sound for a few seconds, then a well-balanced track might sound comparatively harsh if auditioned side by side. Our frame of reference is so important when listening to music. Sonarworks is also great for applying a correction to both a room and your headphones to give you a more accurate listening environment. Acoustic treatment is a great investment if you have space. The first step is to balance out your listening space as much as possible. This build-up has a tipping point where it stops sounding rich and full and starts sounding bloated and resonant. Harshness can also find it’s way into a mix when layering multiple sounds in this frequency range without EQing space for all the elements in the mix. These poor choices are made due to an unreliable listening environment and neglecting the importance of using a great-sounding reference track. Often, the root cause of harshness is poor sonic and EQ choices, such as pushing for an overly bright mix or selecting harsh synth sounds. What Causes Harsh Mixes?Ī mix can sound harsh when there is an excess of energy in the 1kHz to 10kHz frequency range in the context of the whole mix. I’m going to discuss what causes harsh mixes, how to know when your mix sounds harsh, what accentuates harshness and how to fix harshness. If you want to create mixes that sound bright and clear without being harsh then this post is for you. Harshness in music is introduced when this range is boosted disproportionately to the rest of a mix. If we hear an excessively powerful sound in this frequency range, it can unpleasantly hit the eardrums. Humans are particularly sensitive to the frequencies covered by speech. The last thing you want is for your listeners to turn off your music because the mix sounds harsh.
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